inTone | Matrix Pro — Complete Review & First ImpressionsThe inTone | Matrix Pro arrives as a compact digital mixer/processing unit aimed at performers, podcasters, streamers, and compact live-sound rigs. After spending time setting it up, running it through rehearsals and a small live gig, here’s a thorough look at what it offers, how it performs, and where it fits.
What the inTone | Matrix Pro is
The inTone | Matrix Pro is a small-format audio processor that combines multi-channel mixing, routing, effects processing, and hardware I/O in a single tabletop unit. It’s designed to simplify signal chains for users who need flexible routing and DSP without hauling a full-size mixer. The core selling points are:
- Compact footprint for stage or desktop use
- Matrix-style routing that lets you send any input to multiple outputs with independent levels and processing
- Integrated effects and dynamics processing on channels and matrix sends
- USB audio interface functionality for streaming/recording
Key hardware features
- Inputs: multiple XLR/TRS combo jacks for mic/line sources, plus line-only inputs for stereo sources. Some inputs include switchable phantom power for condensers.
- Outputs: main outputs (XLR or TRS), multiple auxiliary or matrix outputs for monitors, headphone output with level control.
- Controls: physically accessible knobs and buttons for gain, channel level, pan, and quick access to key DSP functions. A small display supplies visual feedback for routing and parameter values.
- Connectivity: USB for multichannel audio to/from a host computer, MIDI (on some variants) for remote control, and possibly network/ethernet on higher-end models.
Software and workflow
The Matrix Pro pairs with a desktop application that mirrors the matrix routing and deeper DSP settings. The app provides:
- Drag-and-drop routing across a grid (inputs × outputs)
- Per-channel EQ, compressor, gate, and effects (reverb, delay, modulation) parameters
- Snapshots/scene recall for quick setup changes
- Firmware updates and device configuration
Workflow is straightforward: patch inputs into the matrix, set send levels to desired outputs, apply processing per channel or per bus, and save snapshots. The combination of front-panel controls and software access makes both quick live adjustments and deeper studio-style editing possible.
Sound quality and DSP
During tests, preamps delivered clean, low-noise gain suitable for dynamic and condenser mics (with phantom power where specified). The onboard EQ is musical and effective for corrective and creative shaping; the compressor/gate behaved predictably and helped tighten dynamics on vocals and guitars. Effects such as plate reverb and analog-style delay were usable for live mixes without sounding overly “digital,” though extreme parameter settings can reveal a slightly processed character.
Latency over USB was low enough for live monitoring and streaming; when using direct monitoring features, performers reported no distracting delay.
Use cases and strengths
- Solo performers & singer-songwriters: compact setup, easy to route backing tracks, microphone, and monitor mixes.
- Podcasters & streamers: multichannel USB interface, onboard processing for cleaner voice; snapshot recall for different episode types.
- Small live bands and houses of worship: matrix routing simplifies sending tailored mixes to front-of-house, in-ears, and recording devices.
- Rehearsal spaces and remote recording: portable, self-contained processing and recording solution.
Strengths include portability, flexible routing, solid onboard DSP, and the convenience of integrated I/O and USB streaming.
Limitations and trade-offs
- Control surface size: the smaller footprint means fewer dedicated physical controls than larger mixers. Complex sessions rely on the software for fine adjustments.
- Learning curve: while basic routing is intuitive, mastering matrix routing and snapshot management takes time.
- Power and expandability: for larger ensembles or venues the number of physical inputs/outputs may be limiting compared with rack mixers or modular setups.
- Some advanced users may prefer higher-end preamps or analogue flavor absent in compact digital units.
Comparison to similar products
| Feature | inTone | Matrix Pro | Typical small digital mixer |
| Footprint | Compact | Compact–Medium |
| Matrix routing | Yes | Often limited or absent |
| Onboard effects | Full suite | Varies |
| USB multichannel | Yes | Often yes |
| Scene recall | Yes | Often yes |
| Expandability | Limited | Varies |
Practical setup tips
- Use the desktop app for initial routing and saving snapshots; it’s faster than front-panel editing.
- Label inputs and outputs clearly in the software to avoid confusion during a gig.
- Create commonly used monitor mixes as snapshots to switch quickly between performers.
- For streaming, route a dedicated clean feed to your DAW/streaming app and a separate wet feed to house or stream if you want different processing.
- Keep firmware updated to benefit from stability and feature improvements.
Verdict — first impressions
The inTone | Matrix Pro is a versatile and practical tool for anyone needing flexible routing and good onboard processing in a compact package. Its strongest appeal is the matrix routing combined with multichannel USB and useful DSP—ideal for solo performers, small bands, podcasters, and streamers. It won’t replace larger FOH consoles for big venues, but for portable, studio-to-stage workflows it offers a very capable and convenient solution.
If you need flexible routing, solid built-in effects, and a compact footprint, the inTone | Matrix Pro is a strong contender.
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